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Goodbye 2009
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31 Dec 2009
13 Dec 2009
I lounched my new web site
Dear friends & viwers
I lounched my new web site. Though it is under construction but it will fullfill your needs.
click on: www.nazimsub.webs.com
English Literature
Bangla Literature
Contemporary World Literature
Philosophy
Psychology
Sociology & so on.
click on: www.nazimsub.webs.com
sent your comments and contribute for it.
click on: www.nazimsub.webs.com
I lounched my new web site. Though it is under construction but it will fullfill your needs.
click on: www.nazimsub.webs.com
English Literature
Bangla Literature
Contemporary World Literature
Philosophy
Psychology
Sociology & so on.
click on: www.nazimsub.webs.com
sent your comments and contribute for it.
click on: www.nazimsub.webs.com
10 Dec 2009
Writing style of “Milton in Paradise Lost”
In modern times, Milton's style first received general criticism from T. S. Eliot. Eliot praised Milton in "A Note on the Verse of John Milton" (Martz 12–18): "[W]hat he could do well he did better than anyone else has ever done." Then Eliot added, "Milton's poetry could only be an influence for the worse, upon any poet whatever." The general thrust of Eliot's criticism is that Milton's purposely adopted grand style is both so difficult to accomplish and so complicated (in places) to understand that it causes a deterioration in the poetic style of those who are influenced by it and cannot meet its demands. "In fact," said Eliot, "it was an influence against which we still have to struggle."
Eliot's prime example is from Book V as Satan addresses his followers concerning the Son:
Thrones, Dominations, Princedoms, Virtues, Powers,
If these magnific Titles yet remain
Not merely titular, since by Decree
Another now hath to himself ingross't
All Power, and us eclipst under the name
Of King anointed, for whom all this haste
Of midnight march, and hurried meeting here,
This only to consult how we may best
With what may be devis'd of honors new
Receive him coming to receive from us
Knee-tribute yet unpaid, prostration vile,
Too much to one, but double how endur'd,
To one and to his image now proclaim'd? (V, 772-784).
However, the questions about Milton's style cannot be answered by playing a game of bad line versus good line. The answer to the question posed by Eliot and opposed by Lewis and Ricks is of such a subjective nature that it can never be truly settled. Arguments about Milton's style will persist just as they do about the styles of Henry James, Jane Austen, even James Joyce. One man's sublimity is another's conundrum.
What can be accomplished is a clear description regarding what Milton's grand style consists of and how he made use of it in the poem. With this information, the reader can at least have an objective foundation on which to base his subjective opinion.
Eliot's prime example is from Book V as Satan addresses his followers concerning the Son:
Thrones, Dominations, Princedoms, Virtues, Powers,
If these magnific Titles yet remain
Not merely titular, since by Decree
Another now hath to himself ingross't
All Power, and us eclipst under the name
Of King anointed, for whom all this haste
Of midnight march, and hurried meeting here,
This only to consult how we may best
With what may be devis'd of honors new
Receive him coming to receive from us
Knee-tribute yet unpaid, prostration vile,
Too much to one, but double how endur'd,
To one and to his image now proclaim'd? (V, 772-784).
However, the questions about Milton's style cannot be answered by playing a game of bad line versus good line. The answer to the question posed by Eliot and opposed by Lewis and Ricks is of such a subjective nature that it can never be truly settled. Arguments about Milton's style will persist just as they do about the styles of Henry James, Jane Austen, even James Joyce. One man's sublimity is another's conundrum.
What can be accomplished is a clear description regarding what Milton's grand style consists of and how he made use of it in the poem. With this information, the reader can at least have an objective foundation on which to base his subjective opinion.
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